Introduction: The World of Arthurian Legend
Arthurian legends comprise one of the most enduring mythological cycles in Western literature, spanning centuries of storytelling across numerous cultures and languages. These tales center around King Arthur and his court at Camelot, featuring knights, magicians, lovers, and adversaries whose stories have been told and retold since the early Middle Ages. While the earliest references to Arthur appear in Welsh literature from the 6th-7th centuries, the legends reached their most recognizable form in the 12th-15th centuries through works like Geoffrey of Monmouth’s “Historia Regum Britanniae,” Chrétien de Troyes’ romances, Sir Thomas Malory’s “Le Morte d’Arthur,” and various versions of the Vulgate and Post-Vulgate cycles. This cheatsheet provides a comprehensive overview of the major characters that populate this rich legendary world.
Core Characters: The Heart of the Arthurian Court
King Arthur
| Aspect | Details |
|---|
| Origins | Son of Uther Pendragon and Igraine; raised by Sir Ector unaware of his royal heritage |
| Rise to Power | Drew the sword from the stone, proving his right to the throne of Britain |
| Symbols | Excalibur (sword), Pridwen (shield), Round Table, Camelot |
| Family | Father: Uther Pendragon; Mother: Igraine; Half-sisters: Morgan le Fay, Elaine, Morgause; Wife: Guinevere; Son: Mordred (in most versions) |
| Key Stories | Sword in the stone, receiving Excalibur from the Lady of the Lake, establishing the Round Table, quests for the Holy Grail, final battle at Camlann |
| Character Traits | Just, wise, idealistic, sometimes naive, devoted to chivalric ideals |
| Fate | Mortally wounded by Mordred at the Battle of Camlann; taken to Avalon, possibly to return in Britain’s greatest need (“The Once and Future King”) |
Queen Guinevere
| Aspect | Details |
|---|
| Origins | Daughter of King Leodegrance (in most versions) |
| Position | Queen of Camelot, wife of King Arthur |
| Symbols | Often associated with beauty, courtly love, and the ideal of queenship |
| Key Relationships | Wife to Arthur; lover to Lancelot (in later traditions) |
| Key Stories | Marriage to Arthur, love affair with Lancelot, abduction by Meleagant (in Chrétien de Troyes), trial and rescue from execution |
| Character Traits | Beautiful, complex, torn between duty and passion, dignified |
| Fate | Varies by version: becomes a nun after Arthur’s death (Malory), reconciles with Arthur (some modern adaptations), or returns to her father’s kingdom |
Merlin
| Aspect | Details |
|---|
| Origins | Son of a mortal woman and an incubus (supernatural father), giving him prophetic powers; in some versions, created as an Antichrist figure who chooses good |
| Position | Advisor to Arthur, prophet, magician, kingmaker |
| Symbols | Staff, book of spells, owl, backwards aging (in some modern versions) |
| Key Stories | Arranging Arthur’s birth and upbringing, helping Arthur become king, prophecies about Camelot’s fate, entrapment by Nimue/Viviane |
| Character Traits | Wise, enigmatic, manipulative, far-seeing, occasionally mischievous |
| Fate | Imprisoned eternally in various forms: a cave, an oak tree, a tower of air, or “living backwards” in time |
Sir Lancelot du Lac
| Aspect | Details |
|---|
| Origins | Raised by the Lady of the Lake (hence “du Lac”), son of King Ban of Benwick |
| Position | Greatest knight of the Round Table, champion of Queen Guinevere |
| Symbols | White shield, sometimes with a red diagonal cross |
| Key Relationships | Loyal to Arthur yet lover of Guinevere; father of Galahad |
| Key Stories | Rescue of Guinevere, unrequited love for Elaine of Astolat, fathering Galahad, failure in the Grail Quest due to his sins, final atonement |
| Character Traits | Supremely skilled warrior, courteous, devoted, conflicted between honor and love |
| Fate | Becomes a hermit after Arthur’s death; dies peacefully as a holy man |
Sir Gawain
| Aspect | Details |
|---|
| Origins | Son of King Lot and Morgause, making him Arthur’s nephew |
| Position | One of the greatest knights, especially strong when the sun is at its height |
| Symbols | Green girdle (from Sir Gawain and the Green Knight), sun symbolism, pentangle |
| Key Relationships | Nephew to Arthur; brother to Gareth, Gaheris, and Agravain |
| Key Stories | Challenge of the Green Knight, vengeful pursuit of Lancelot after his brothers’ deaths, final reconciliation with Lancelot |
| Character Traits | Courteous to women, brave, hot-tempered, loyal to family, embodiment of courtesy in early tales, more complex in later versions |
| Fate | Dies in the final battle against Mordred, having made peace with Lancelot |
Morgan le Fay
| Aspect | Details |
|---|
| Origins | Daughter of Igraine and Gorlois, half-sister to Arthur; trained in magic |
| Position | Sorceress, sometimes queen of Avalon, complex adversary/ally to Arthur |
| Symbols | Raven, healing herbs, magical artifacts |
| Key Relationships | Half-sister to Arthur; sometimes mother of Mordred (in earlier versions); student of Merlin |
| Key Stories | Stealing Excalibur, healing Arthur after battles, attempting to expose Guinevere and Lancelot, eventually taking Arthur to Avalon |
| Character Traits | Powerful, intelligent, vengeful, ambiguous morality, protective of Arthur despite their conflicts |
| Fate | Usually portrayed as one of the queens who takes Arthur to Avalon for healing |
Knights of the Round Table: Champions of Camelot
Sir Galahad
| Aspect | Details |
|---|
| Origins | Son of Lancelot and Elaine of Corbenic, conceived through trickery |
| Position | The purest knight, destined to achieve the Holy Grail |
| Symbols | Red cross on white shield, the Siege Perilous (seat at the Round Table) |
| Key Stories | Taking the Siege Perilous, achieving the Holy Grail, ascension to heaven |
| Character Traits | Pure, chaste, spiritually perfect, somewhat inhuman in his perfection |
| Fate | Achieves the Grail and asks to die, ascending directly to heaven |
Sir Percival
| Aspect | Details |
|---|
| Origins | Son of King Pellinore in some versions, raised in ignorance of knighthood |
| Position | One of the three Grail knights, friend to Galahad |
| Key Stories | Naive beginning as a knight, sister’s sacrifice in the Grail quest, achieves the Grail with Galahad and Bors |
| Character Traits | Innocent, pure-hearted, naive but learns wisdom, devoted |
| Fate | In early versions, he alone achieves the Grail; in later versions, he achieves it with Galahad and Bors, then becomes a hermit |
Sir Bors
| Aspect | Details |
|---|
| Origins | Cousin to Lancelot, from the house of Ban |
| Position | Loyal knight, one of three to achieve the Grail |
| Key Stories | Moral tests during the Grail quest, only Grail knight to return to Camelot |
| Character Traits | Practical, steadfast, morally rigorous, loyal to both Arthur and Lancelot |
| Fate | Returns to Camelot after the Grail quest; later follows Lancelot into religious life |
Sir Kay
| Aspect | Details |
|---|
| Origins | Son of Sir Ector, foster brother to Arthur |
| Position | Seneschal of Camelot, responsible for castle management |
| Key Stories | Present from earliest Welsh tales; often portrayed as argumentative |
| Character Traits | Sharp-tongued, sometimes boorish, brave but not the most skilled knight, administratively competent |
| Fate | Usually remains loyal to Arthur until the end |
Sir Gareth
| Aspect | Details |
|---|
| Origins | Son of King Lot and Morgause, brother to Gawain |
| Position | Knight of great courtesy and skill who proves himself from humble beginnings |
| Key Stories | Serves in the kitchen as “Beaumains” before proving his nobility, marries Lady Lynette |
| Character Traits | Humble, valiant, patient, honorable |
| Fate | Accidentally killed by Lancelot during Guinevere’s rescue |
Sir Tristan
| Aspect | Details |
|---|
| Origins | Prince of Lyonesse, nephew to King Mark of Cornwall |
| Position | Great knight renowned for his skill in battle and music |
| Key Relationships | Lover of Isolde (Iseult), wife of his uncle King Mark |
| Key Stories | Love potion mishap leading to tragic love for Isolde, warfare with King Mark, exile |
| Character Traits | Melancholic, artistic, passionate, skilled in hunting and music |
| Fate | Various versions: dies of grief thinking Isolde has abandoned him; killed by King Mark; dies from a poisoned wound |
Important Secondary Characters
Mordred
| Aspect | Details |
|---|
| Origins | Son of Arthur and either Morgause or Morgan le Fay (depending on version), making him Arthur’s nephew and illegitimate son |
| Position | Knight of the Round Table, traitor who ultimately brings down Camelot |
| Key Stories | Left in charge of Britain while Arthur fights Rome, seizes power, reveals Guinevere and Lancelot’s affair |
| Character Traits | Ambitious, treacherous, resentful, skilled warrior |
| Fate | Mortally wounds Arthur at Camlann while being killed by him |
The Lady of the Lake
| Aspect | Details |
|---|
| Origins | Mysterious enchantress associated with water |
| Names | Also known as Nimue, Viviane, or Niniane in different versions |
| Key Stories | Gives Excalibur to Arthur, raises Lancelot, entraps Merlin |
| Character Traits | Powerful, enigmatic, protective of certain characters |
| Fate | Continues as guardian of the lake and Avalon in most versions |
Queen Morgause
| Aspect | Details |
|---|
| Origins | Daughter of Igraine and Gorlois, sister to Morgan le Fay and Elaine |
| Position | Queen of Orkney, mother of Gawain, Gaheris, Agravain, Gareth, and sometimes Mordred |
| Key Stories | Liaison with Arthur (unknowing of their relation) producing Mordred |
| Character Traits | Ambitious, manipulative, powerful |
| Fate | Often killed by her own son Gaheris for taking a young lover |
Elaine of Astolat
| Aspect | Details |
|---|
| Position | Maiden who falls in unrequited love with Lancelot |
| Key Stories | Nurses wounded Lancelot back to health, dies of unrequited love |
| Character Traits | Devoted, pure in her love, tragic |
| Fate | Dies of a broken heart, body floated downriver to Camelot on a barge |
Elaine of Corbenic
| Aspect | Details |
|---|
| Position | Daughter of the Fisher King, mother of Galahad |
| Key Stories | Tricks Lancelot into thinking she is Guinevere to bear his child |
| Character Traits | Determined, cunning, devoted to her destined role |
| Fate | Often portrayed as dying after Galahad’s birth |
King Uther Pendragon
| Aspect | Details |
|---|
| Position | King of Britain, father of Arthur |
| Key Stories | Love for Igraine, war with Gorlois, arranging with Merlin to conceive Arthur |
| Character Traits | Passionate, determined, sometimes ruthless |
| Fate | Dies while Arthur is still a child |
Sir Bedivere
| Aspect | Details |
|---|
| Position | One of Arthur’s earliest companions, last knight at his side |
| Key Stories | Tasked with returning Excalibur to the Lady of the Lake after the final battle |
| Character Traits | Loyal, sometimes doubting, ultimately faithful |
| Fate | Becomes a hermit after Arthur’s passing |
Key Adversaries and Antagonists
King Lot
| Aspect | Details |
|---|
| Position | King of Orkney, husband to Morgause, father of Gawain and his brothers |
| Key Stories | Initially opposes Arthur’s kingship before becoming an ally |
| Character Traits | Proud, powerful, ambitious |
| Fate | Killed in battle, often by King Pellinore |
King Mark
| Aspect | Details |
|---|
| Position | King of Cornwall, uncle to Tristan |
| Key Stories | Marries Isolde who falls in love with Tristan |
| Character Traits | Jealous, vengeful, sometimes portrayed as cowardly |
| Fate | In some versions, kills Tristan with a poisoned spear |
King Claudas
| Aspect | Details |
|---|
| Position | Enemy king who conquers Lancelot’s father’s lands |
| Key Stories | Forces Lancelot’s family into exile, indirectly leading to Lancelot being raised by the Lady of the Lake |
| Character Traits | Ambitious, opportunistic |
| Fate | Eventually defeated by Arthur’s forces |
The Green Knight
| Aspect | Details |
|---|
| Position | Supernatural challenger who tests Sir Gawain |
| Key Stories | “Sir Gawain and the Green Knight” – offers beheading game to test Gawain’s honor |
| Character Traits | Otherworldly, testing, ultimately revealed as Bertilak de Hautdesert enchanted by Morgan le Fay |
| Fate | After testing Gawain, sends him back to Camelot with greater wisdom |
Sir Maleagant
| Aspect | Details |
|---|
| Position | Knight who abducts Queen Guinevere |
| Key Stories | Forces Lancelot to undergo humiliations to rescue the queen |
| Character Traits | Obsessive, dishonorable, vengeful |
| Fate | Killed by Lancelot |
Comparison of Character Portrayals Across Major Sources
| Character | Early Welsh Tales | Geoffrey of Monmouth | Chrétien de Troyes | Vulgate Cycle | Thomas Malory | Modern Adaptations |
|---|
| Arthur | Warrior hero | Conquering king | Courtly king | Complex ruler | Tragic king | Often flawed but noble |
| Guinevere | Minor character | Betrayer | Object of courtly love | Complex, passionate | Repentant sinner | Often given agency and depth |
| Lancelot | Absent | Absent | Introduced as perfect knight | Deeply conflicted | Tragic hero | Complex, often depicted with PTSD |
| Merlin | Wild prophet | Political advisor | Minor character | Tragic mentor | Guide and magician | Often comical or deeply wise |
| Morgan | Healing goddess | Minor mention | Gradually more antagonistic | Complex adversary | Antagonist | Often reimagined with feminist perspective |
| Mordred | Arthur’s nephew | Traitor nephew | Minor character | Arthur’s son-nephew | Ultimate villain | Sometimes given sympathetic motivation |
Common Thematic Roles in Arthurian Characters
The Perfect Knight
Examples: Galahad, early portrayals of Lancelot Traits: Purity, martial prowess, adherence to chivalric code, spiritual elevation Narrative Function: Represents the ideal, often unattainable standard of knighthood
The Flawed Hero
Examples: Later Lancelot, Tristan, Arthur in some versions Traits: Great capabilities matched by significant character flaws or moral complications Narrative Function: Explores the tension between human weakness and heroic ideals
The Wise Mentor
Examples: Merlin, Lady of the Lake Traits: Knowledge beyond normal human capacity, guidance through enigmatic means Narrative Function: Provides supernatural aid and wisdom to heroes
The Femme Fatale
Examples: Morgan in some portrayals, Morgause Traits: Female power expressed through sexuality, magic, and manipulation Narrative Function: Represents fears about female power and agency
The Pure Maiden
Examples: Elaine of Astolat, Percival’s sister Traits: Innocence, self-sacrifice, devotion Narrative Function: Represents idealized femininity and often sacrificial love
The Challenger
Examples: Green Knight, various quest antagonists Traits: Tests heroes through confrontation or trials Narrative Function: Forces characters to prove their worth or reveal their true nature
Common Challenges and Interpretations
Challenge: Keeping Track of Character Variations
Solution: Focus on key traits that remain consistent across versions
- Arthur: rightful king, establishes Round Table, married to Guinevere
- Lancelot: greatest knight, lover of Guinevere, father of Galahad
- Merlin: advisor with magical powers, guides Arthur’s rise
- Morgan: magical half-sister of Arthur, complex relationship with him
Challenge: Understanding Character Motivations
Solution: Consider the values and contexts of different literary periods
- Early tales: Characters motivated by tribal loyalty and warrior values
- Medieval romances: Characters motivated by courtly love and chivalric codes
- Modern adaptations: Characters often given psychological depth and modern sensibilities
Challenge: Reconciling Contradictory Versions
Solution: Appreciate that Arthurian legend is not a single canonical story but a tradition
- View contradictions as evidence of the legend’s evolution and cultural adaptability
- Recognize that some characters (like Gawain) differ dramatically between early and late sources
- Understand that modern retellings often deliberately reinterpret characters for contemporary audiences
Resources for Further Learning
Primary Texts
- Geoffrey of Monmouth: “Historia Regum Britanniae” (History of the Kings of Britain)
- Chrétien de Troyes: “Lancelot, the Knight of the Cart,” “Perceval, the Story of the Grail”
- Anonymous: “Sir Gawain and the Green Knight”
- Thomas Malory: “Le Morte d’Arthur”
- Vulgate Cycle (anonymous medieval prose cycles)
Modern Scholarly Works
- “The Arthurian Handbook” by Norris J. Lacy and Geoffrey Ashe
- “King Arthur: The True Story” by Graham Phillips and Martin Keatman
- “The Discovery of King Arthur” by Geoffrey Ashe
- “From Scythia to Camelot” by C. Scott Littleton and Linda A. Malcor
Notable Modern Adaptations
- T.H. White: “The Once and Future King”
- Marion Zimmer Bradley: “The Mists of Avalon” (feminist reinterpretation)
- Bernard Cornwell: “The Warlord Chronicles” (historical reinterpretation)
- BBC’s “Merlin” (television series)
- Film: “Excalibur” (1981), “King Arthur” (2004), “The Green Knight” (2021)
Remember that Arthurian legend represents one of the most adaptable and enduring mythological cycles in Western culture. Characters often reflect the values and concerns of the era in which their stories are told, making them a fascinating lens through which to view changing cultural attitudes about heroism, gender, power, and morality.