Introduction: What Are Ballet Positions and Why They Matter
Ballet positions form the foundation of classical ballet technique, providing the framework for all movement in this centuries-old art form. Developed in the courts of Renaissance Italy and France and codified by the French Academy of Dance in the 17th century, these positions create the distinctive lines, balance, and aesthetic that define ballet. Mastering these precise positions is essential for dancers at all levels, as they serve as both starting and ending points for steps and sequences, ensure proper alignment to prevent injury, and create the visual harmony that makes ballet so captivating. Whether you’re a beginner taking your first ballet class or an advanced dancer refining your technique, understanding and executing these positions correctly is fundamental to your development as a dancer.
Core Concepts and Principles
The Five Basic Foot Positions
| Position | Foot Placement | Weight Distribution | Common Mistakes | Key Focus Points |
|---|---|---|---|---|
| First Position | Heels together, toes turned out to form a straight line | Equal weight on both feet | Forcing turnout from feet rather than hips; rolling ankles | Maintain straight knees; engage inner thighs; keep weight centered |
| Second Position | Feet parallel to first position but separated by about hip-width | Equal weight on both feet | Feet too far apart; losing turnout; rolling ankles | Keep weight centered over balls of feet; maintain engagement through legs |
| Third Position | One foot in front of the other with heel touching middle of other foot | Equal weight on both feet | Insufficient turnout; improper foot crossing | Maintain turnout from hips; keep knees aligned over toes |
| Fourth Position | One foot in front of the other, separated by about one foot length | Equal weight or varies with step | Insufficient separation; improper alignment; shifting hips | Align front heel with back arch; maintain equal turnout in both feet |
| Fifth Position | Feet fully crossed, front foot heel touching back foot toe and vice versa | Equal weight on both feet | Insufficient crossing; forcing beyond turnout capacity; rolling ankles | Maintain hip alignment; keep knees over toes; fully cross feet while maintaining turnout |
The Six Port de Bras (Arm Positions)
| Position | Arm Placement | Common Uses | Key Technical Points |
|---|---|---|---|
| Preparatory Position | Arms rounded below waist, slightly in front of body | Starting position for many exercises; preparation for plié | Fingers gently curved; space between arms; elbows lifted slightly |
| First Position | Arms rounded in front of chest at mid-torso level | Transitions between positions; accompanying certain steps | Maintain roundness of arms; elbows slightly lifted; fingers elongated |
| Second Position | Arms extended to sides at shoulder height, slightly forward of shoulders | Accompanying grand plié; many adagio movements | Maintain energy through fingertips; avoid dropping elbows; keep shoulders down |
| Third Position | One arm in second position, one arm in first position | Creating asymmetrical lines; during waltz sequences | Maintain alignment of both arms; keep energy extending through both arms equally |
| Fourth Position | One arm raised overhead, one arm extended to side in second position | Many arabesque variations; preparing for turns | Maintain alignment with raised arm; keep shoulders down; extend through fingertips |
| Fifth Position | Both arms raised overhead, slightly forward of ears | Grand allegro; balances; finishing poses | Keep shoulders down; maintain space between arms; fingers softly extended |
Note: Variations exist between different schools of ballet (Vaganova, Cecchetti, Royal Academy of Dance, etc.) regarding arm positions.
Basic Body Positions
| Position | Description | Key Alignment Points | Used In |
|---|---|---|---|
| En Face | Facing the audience directly | Shoulders and hips square to audience | Basic positions; beginning steps |
| Croisé | Crossed position at diagonal | Alignment of shoulders over hips; elongated neck | Many poses; adagio work |
| Effacé | Open position at diagonal | Extended line through working leg; lifted chest | Adagio; presenting steps |
| Écarté | Open position with body facing corner | Working leg extended to second position; upper body inclined away | Adagio; showy presentations |
| Épaulé | Shoulders at angle to hips | Shoulders spiral in opposition to hips | Creating dynamic lines in poses |
Fundamental Principles of Ballet Positions
- Turnout – External rotation from hip sockets, not forced from knees or ankles
- Alignment – Proper stacking of ears, shoulders, hips, knees, and ankles
- Opposition – Balance of energy in opposing directions creates dynamic lines
- Extension – Energy flowing outward through limbs even in static positions
- Weight distribution – Proper centering prevents injury and enables balance
- Body placement – Relationship of torso, head, and limbs to create desired aesthetic
Step-by-Step Learning Process
Mastering the Five Basic Positions
First Position Technique Breakdown
- Stand with heels together
- Turn out legs from hip sockets to form straight line with feet
- Distribute weight evenly across both feet
- Engage inner thighs and core
- Maintain natural curve in lower back
- Keep shoulders relaxed and down
Second Position Development
- From first position, maintain turnout
- Step feet apart approximately hip-width
- Keep weight centered between both feet
- Maintain engaged legs and proper alignment
- Avoid sinking into hips
Third Position Precision
- Position one foot in front of other
- Place heel of front foot against middle of back foot
- Maintain turnout in both legs
- Keep hips square and weight centered
- Align knees over toes
Fourth Position Alignment
- Position one foot in front of other with space between
- Align front heel with arch of back foot
- Maintain equal turnout in both feet
- Keep hips square and aligned
- Distribute weight appropriately for the step
Fifth Position Refinement
- Fully cross feet (front foot heel to back foot toe)
- Maintain maximum turnout from hips
- Keep hips level and square
- Align knees over toes
- Engage inner thighs and core
Arm Position Progression
Preparatory to First
- Begin with arms rounded below waist
- Maintain space between arms
- Lift through elbows while raising arms
- Bring arms to mid-torso height for first position
- Keep shoulders down and energy flowing through fingertips
First to Second
- Open arms from first position
- Extend to sides at shoulder height
- Position slightly forward of shoulders
- Maintain rounded shape and energy through fingertips
- Keep shoulders down and elbows supported
Second to Fifth
- Lift arms from second position
- Maintain rounded shape
- Position overhead slightly forward of ears
- Keep shoulders down
- Maintain space between arms
- Extend energy through fingertips
Key Techniques and Variations by Ballet Method
Vaganova Method (Russian)
- Foot Positions: Emphasizes strong turnout and fully crossed fifth position
- Arm Positions: Uses three primary arm positions with variations for each
- Épaulement: Significant focus on coordination of head, shoulders, and eye line
- Port de Bras: Flowing movements between positions with expressive quality
- Distinctive Features: Strong core engagement; dramatic épaulement; flowing port de bras
Cecchetti Method (Italian)
- Foot Positions: Five basic positions with precise placement
- Arm Positions: Five positions plus additional “arabesques” positions
- Épaulement: Eight specific directions of the body in space
- Port de Bras: Set exercises for arm movements
- Distinctive Features: Mathematical precision; codified exercises; systematic approach
Royal Academy of Dance (English)
- Foot Positions: Five basic positions with moderate approach to turnout
- Arm Positions: Basic positions with variations for grade levels
- Épaulement: Gradual introduction through syllabus levels
- Port de Bras: Set exercises that become more complex with advancing grades
- Distinctive Features: Methodical progression; clean technique; syllabus-based approach
Balanchine Technique (American)
- Foot Positions: More emphasis on second position; more open fourth position
- Arm Positions: More relaxed and expansive; often lower second position
- Speed and Energy: Fast footwork and dynamic energy through positions
- Distinctive Features: Hip forward in arabesque; faster transitions; athletic quality
Common Challenges and Solutions
| Challenge | Solution |
|---|---|
| Limited Turnout | Focus on proper hip opening exercises; use parallel positions to strengthen before turning out; work with natural capacity rather than forcing |
| Rolling Ankles | Strengthen ankle stabilizers; focus on lifting through ankles and distributing weight properly; use resistance band exercises |
| Hunched Shoulders in Arm Positions | Practice with hands on shoulders to feel proper placement; strengthen upper back; use imagery of floating arms |
| Difficulty Maintaining Fifth Position | Build strength through relevés in first and second position first; progress gradually; ensure working within natural turnout range |
| Unstable in Fourth Position | Practice with barre support first; strengthen core; check proper alignment of front heel to back arch |
| Swaying Back in First Position | Engage core muscles; practice neutral pelvis alignment; strengthen abdominals |
| Losing Turnout When Pliéing | Focus on maintaining rotation through descent; strengthen rotator muscles; practice slow, controlled movements |
| Inconsistent Arm Positions | Practice with mirror; use visual reference points; work on proprioception exercises |
Best Practices and Practical Tips
For Beginners
- Start with a focus on proper alignment rather than maximum turnout
- Use the barre for support when learning positions
- Practice transitions between positions slowly and with control
- Develop core strength alongside position work
- Use mirrors to check alignment but don’t become dependent
- Accept your body’s natural limitations while working to improve
- Remember that position quality is more important than extreme lines
For Intermediate Dancers
- Refine the transitions between positions
- Work on maintaining positions during more complex movements
- Focus on the energy and intention within each position
- Develop consistency in arm positions without constant visual checking
- Practice positions at different tempos and with different dynamics
- Incorporate proper breathing techniques with position changes
- Understand how positions translate into pirouettes and jumps
For Advanced Dancers
- Perfect the subtle épaulement that enhances each position
- Work on instantaneous position accuracy at high speeds
- Develop personal artistic expression within technical framework
- Understand stylistic variations for different ballet repertoire
- Maintain clean positions during complex combinations
- Focus on musicality in the execution of positions
- Apply positions appropriately in different choreographic contexts
For Teachers
- Introduce positions progressively with age-appropriate explanations
- Use imagery effective for different learning styles
- Develop exercises that isolate and then integrate position elements
- Balance technical precision with promoting joy of movement
- Provide individual corrections while maintaining group progress
- Use both anatomical explanations and artistic imagery
- Create building-block approach to position mastery
Ballet Position Progressions and Combinations
Basic Barre Position Sequence
- First position: demi-plié, relevé, lower
- Second position: demi-plié, relevé, lower
- Fourth position: demi-plié, relevé, lower
- Fifth position: demi-plié, relevé, lower
Center Position Flow
- Preparatory position
- First position with demi-plié
- Rise to first position relevé
- Open to second position
- Lower through demi-plié in second
- Close to fifth position
- Rise to relevé in fifth position
- Lower to finish in fifth position
Position Applications in Basic Steps
| Ballet Step | Starting Position | During Execution | Ending Position |
|---|---|---|---|
| Tendu | First or fifth | Working foot extends while maintaining turnout | First or fifth |
| Jeté | Fifth | Spring from fifth with battement | Fifth |
| Pirouette en dehors | Fourth | Turning in relevé with arms in first | Fifth |
| Pirouette en dedans | Fourth | Turning in relevé with arms in first | Fifth |
| Grand Jeté | Fourth | Leap with legs extended | Fourth or fifth |
| Arabesque | Fifth | Extended position with supporting leg in plié or straight | Fifth |
Visual References and Imagery
Effective Teaching Imagery for Positions
| Position Element | Helpful Imagery |
|---|---|
| Arm Roundness | Holding a large beach ball; embracing a tree |
| Foot Turnout | Standing on a clock face with heels at 6 and toes at 12 |
| Fifth Position | Feet as puzzle pieces fitting together perfectly |
| Port de Bras Flow | Arms moving through water; following a flowing ribbon |
| Épaulement | Gentle twist of a spiral staircase; looking toward a distant horizon |
| Maintaining Turnout | Rotating from headlights on hips; screwing feet into floor |
| Hand Position | Holding delicate soap bubbles; framing an oval picture |
Body Awareness Exercises for Position Development
- Plié with back against wall – Develops proper alignment in first through fifth positions
- Arms with theraband – Strengthens proper arm position pathways
- Relevés on balance board – Enhances stability in positions
- Eyes-closed position practice – Develops kinesthetic awareness
- Slow-motion position transitions – Builds control and placement memory
- Video self-assessment – Compare positions to ideal models
- Partner mirroring – Develop visual accuracy in positions
Resources for Further Learning
Books
- “Technical Manual and Dictionary of Classical Ballet” by Gail Grant
- “Basic Principles of Classical Ballet” by Agrippina Vaganova
- “The Ballet Companion” by Eliza Gaynor Minden
- “The Cecchetti Method of Classical Ballet” by Cyril Beaumont
Online Resources
- American Ballet Theatre’s Ballet Dictionary (www.abt.org/explore/learn/ballet-dictionary/)
- Royal Academy of Dance Online Resources (www.royalacademyofdance.org)
- Vaganova Ballet Academy videos
- Ballet glossaries with pronunciation guides
Training Tools
- Ballet barres for home practice
- Non-slip dance mats
- Alignment tools and balance aids
- Mirrors for self-assessment
- Recorded classes by master teachers
Additional Learning Opportunities
- Summer intensives focusing on technique
- Master classes with visiting teachers
- Cross-training in Pilates for core strength
- Anatomy workshops for dancers
- Ballet history courses to understand position evolution
Conclusion
Ballet positions are more than just static arrangements of the body—they are the vocabulary through which ballet communicates. Mastering these positions requires patience, proper technique, and understanding of the underlying principles. By approaching position work methodically and with awareness of proper alignment, dancers can build a solid foundation that supports all aspects of ballet technique. Remember that positions should eventually become so integrated into your muscle memory that they free you to express the music and emotion of dance, rather than limiting you to technical concerns. The journey to perfecting ballet positions is ongoing for dancers at all levels, making it both a challenge and a continuous source of growth in this beautiful art form.
