Ultimate Chord Progressions Cheatsheet for Songwriters & Musicians

Introduction: Understanding Chord Progressions

Chord progressions are sequences of chords that form the harmonic foundation of music. They create emotional journeys, establish musical styles, and provide the framework upon which melodies and lyrics are built. Understanding chord progressions is essential for songwriters, composers, producers, and performers across all genres. This cheatsheet provides a comprehensive reference for common progressions, their applications, and techniques for creating compelling harmonic movement in your music.

Core Concepts: The Building Blocks of Harmony

Roman Numeral Analysis

Chord progressions are typically analyzed using Roman numerals to represent the relationship between chords within a key:

Roman NumeralMajor Key FunctionChord QualityExample in C Major
ITonicMajorC Major (C-E-G)
iiSupertonicMinorD Minor (D-F-A)
iiiMediantMinorE Minor (E-G-B)
IVSubdominantMajorF Major (F-A-C)
VDominantMajorG Major (G-B-D)
viSubmediantMinorA Minor (A-C-E)
vii°Leading ToneDiminishedB Diminished (B-D-F)

In minor keys:

Roman NumeralMinor Key FunctionChord QualityExample in A Minor
iTonicMinorA Minor (A-C-E)
ii°SupertonicDiminishedB Diminished (B-D-F)
IIIMediantMajorC Major (C-E-G)
ivSubdominantMinorD Minor (D-F-A)
v/VDominantMinor/MajorE Minor (E-G-B) / E Major (E-G#-B)
VISubmediantMajorF Major (F-A-C)
VII/vii°Subtonic/LeadingMajor/DiminishedG Major (G-B-D) / G# Diminished (G#-B-D)

Note: In minor keys, the dominant (V) is often borrowed from the parallel major to create a stronger resolution to the tonic.

Chord Functions and Movement

Chords can be categorized by their harmonic functions:

  1. Tonic Function (I, vi, iii): Creates a sense of stability and rest
  2. Subdominant Function (IV, ii): Creates movement away from stability
  3. Dominant Function (V, vii°): Creates tension seeking resolution to tonic

Common Chord Progressions By Genre

Pop/Rock Progressions

ProgressionRoman NumeralsExample in CEmotional CharacterFamous Examples
The “1-5-6-4”I-V-vi-IVC-G-Am-FUplifting, emotional“Let It Be” (Beatles), “Don’t Stop Believin'” (Journey)
The “1-4-5”I-IV-VC-F-GStrong, straightforward“Sweet Home Alabama” (Lynyrd Skynyrd), “Wild Thing” (The Troggs)
The “1-6-4-5”I-vi-IV-VC-Am-F-GEmotional, classic“Stand By Me” (Ben E. King), “Every Breath You Take” (Police)
The “Pop Punk”I-V-vi-IVC-G-Am-FEnergetic, emotional“When I Come Around” (Green Day), “Self Esteem” (Offspring)
The “50s Doo-Wop”I-vi-IV-VC-Am-F-GNostalgic, romantic“Earth Angel” (The Penguins), “Stand By Me” (Ben E. King)
The “Andalusian Cadence”i-VII-VI-VAm-G-F-EDramatic, tense“Hit the Road Jack” (Ray Charles), “Sultans of Swing” (Dire Straits)
The “Canon”I-V-vi-iii-IV-I-IV-VC-G-Am-Em-F-C-F-GEpic, emotional journeyBased on Pachelbel’s Canon, “Memories” (Maroon 5)

Jazz Chord Progressions

ProgressionRoman NumeralsExample in CApplicationFamous Examples
2-5-1ii-V-IDm7-G7-Cmaj7Core jazz progression“Autumn Leaves”, “All The Things You Are”
1-6-2-5I-vi-ii-VCmaj7-Am7-Dm7-G7Jazz standard turnaround“I Got Rhythm” bridge, “There Will Never Be Another You”
Minor 2-5-1ii°7-V7-iDm7♭5-G7-Cm7Minor key jazz“Blue Bossa”, “Fly Me To The Moon”
Rhythm ChangesI-vi-ii-VCmaj7-Am7-Dm7-G7Jazz standard foundation“I Got Rhythm”, “Oleo”
Blues JazzI7-IV7-I7-V7-I7C7-F7-C7-G7-C7Jazz blues“Billie’s Bounce”, “Straight No Chaser”
Minor Bluesi7-iv7-i7-V7-i7Cm7-Fm7-Cm7-G7-Cm7Minor jazz blues“Mr. PC”, “Equinox”
Coltrane ChangesI-♭III7-♭VI7-ICmaj7-E♭7-A♭7-Cmaj7Advanced substitution“Giant Steps”, “Countdown”

Classical Progressions

ProgressionRoman NumeralsExample in CPeriod/StyleNotable Usage
Authentic CadenceV-IG-CAll periodsEndings of phrases, sections, pieces
Plagal CadenceIV-IF-CSacred music“Amen” cadence in hymns
Deceptive CadenceV-viG-AmClassical, RomanticMozart, Beethoven sonatas
Half CadenceI-VC-GClassicalMiddle of phrases
Circle of Fifthsvi-ii-V-IAm-Dm-G-CBaroque, ClassicalBach preludes, Mozart sonatas
Descending Bass LineI-V6-vi-IV6C-G/B-Am-F/ABaroqueBach “Air on G String”
Lament Bassi-VII-VI-VCm-B♭-A♭-GBaroquePurcell’s “Dido’s Lament”

Electronic & EDM Progressions

ProgressionRoman NumeralsExample in CSubgenreCharacter
Uplifting ProgressionI-V-vi-IVC-G-Am-FTrance, Progressive HouseEmotional, uplifting
Minor EDMvi-IV-I-VAm-F-C-GTechno, Deep HouseMoody, driving
Future BassIV-V-vi-VF-G-Am-GFuture BassEmotional, modern
Classic Housei-VI-VII-vAm-F-G-EmHouseGroovy, danceable
Dubstep Minori-VI-III-VIIAm-F-C-GDubstepDark, intense
Lo-Fiii-V-I with jazz extensionsDm9-G13-Cmaj9Lo-Fi Hip HopRelaxed, nostalgic
Synthwavei-VII-VI-VAm-G-F-ESynthwaveRetro, cinematic

Blues Progressions

ProgressionStructureExample in CStyleCharacter
12-Bar BluesI7-I7-I7-I7-IV7-IV7-I7-I7-V7-IV7-I7-V7C7-C7-C7-C7-F7-F7-C7-C7-G7-F7-C7-G7Traditional BluesFoundational blues form
Quick-Change BluesI7-IV7-I7-I7-IV7-IV7-I7-I7-V7-IV7-I7-V7C7-F7-C7-C7-F7-F7-C7-C7-G7-F7-C7-G7Blues, Jump BluesAdds early IV chord
Minor Bluesi7-i7-i7-i7-iv7-iv7-i7-i7-V7-iv7-i7-V7Cm7-Cm7-Cm7-Cm7-Fm7-Fm7-Cm7-Cm7-G7-Fm7-Cm7-G7Jazz Blues, SoulMore melancholic feeling
8-Bar BluesI7-I7-IV7-IV7-I7-I7-V7-V7C7-C7-F7-F7-C7-C7-G7-G7Swing, Jump BluesShorter, punchier form
16-Bar BluesI7-I7-I7-I7-IV7-IV7-I7-I7-ii7-V7-I7-VI7-ii7-V7-I7-I7C7-C7-C7-C7-F7-F7-C7-C7-Dm7-G7-C7-A7-Dm7-G7-C7-C7Jazz, R&BExtended, more complex

Country & Folk Progressions

ProgressionRoman NumeralsExample in GStyleApplication
Country I-IV-VI-IV-VG-C-DTraditional CountryCountless country songs
Nashville I-IV-V-IVI-IV-V-IVG-C-D-CModern CountryVerse progression
Country WaltzI-V-I-IV-I-V-IG-D-G-C-G-D-GCountry Waltz3/4 time signature songs
Folk CircleI-V-vi-iii-IV-I-IV-VG-D-Em-Bm-C-G-C-DFolk BalladStorytelling songs
Bluegrass RunI-IV-I-V-IG-C-G-D-GBluegrassFast-tempo songs
Country TurnaroundI-IV-I-VG-C-G-DClassic CountryVerse endings
Modern Countryvi-IV-I-VEm-C-G-DContemporary CountryEmotional ballads

Step-by-Step Chord Progression Development

Building Progressions From Scratch

  1. Choose a key that suits your vocal range or instrument
  2. Identify the diatonic chords available in that key
  3. Start with the tonic chord (I or i) to establish the key
  4. Add a dominant function chord (V or vii°) to create tension
  5. Include a subdominant function chord (IV or ii) for movement
  6. Consider adding a vi chord for emotional contrast
  7. Experiment with chord order to create different emotional journeys
  8. Test the progression with a simple melody

Chord Substitution Techniques

Original ChordPossible SubstitutionsTheoryExample
Iiii, vi, I7Shared tonesC → E minor, A minor, or C7
iiIV, ii7, vii°Subdominant functionD minor → F, Dm7, or B°
iiiI, vi, iii7Tonic functionE minor → C, A minor, or Em7
IVii, vi, IV7Subdominant functionF → D minor, A minor, or F7
Vvii°, V7, V/V (secondary dominant)Dominant functionG → B°, G7, or D7
viI, iii, vi7Tonic functionA minor → C, E minor, or Am7
vii°V7, vii°7, iiiDominant functionB° → G7, B°7, or E minor

Secondary Dominants

Adding the dominant of a chord other than the tonic:

  • V/V = D7 in key of C (dominant of G)
  • V/ii = A7 in key of C (dominant of Dm)
  • V/vi = E7 in key of C (dominant of Am)

Tritone Substitutions (Jazz)

Substituting a dominant 7th chord with another dominant 7th a tritone away:

  • G7 → D♭7 (in key of C)
  • D7 → A♭7 (in key of G)

Voice Leading Principles

Good voice leading creates smooth connections between chords:

  1. Common Tones: Keep shared notes in the same voice
  2. Minimal Movement: Move to the nearest chord tone when no common tone exists
  3. Contrary Motion: Move voices in opposite directions for balanced sound
  4. Avoid Parallel 5ths/Octaves: Don’t move perfect intervals in the same direction
  5. Lead the 7th Downward: Resolve the 7th of a chord down by step
  6. Guide Tones: Follow the 3rds and 7ths of chords for smooth jazz progressions

Modal Chord Progressions

Each mode has characteristic progressions that emphasize its unique sound:

ModeCharacteristic ChordsExample in CFamous Usage
Ionian (Major)I-IV-VC-F-GMost pop/rock music
Doriani-IV-vDm-G-Am“Scarborough Fair”, Miles Davis “So What”
Phrygiani-♭II-♭viiEm-F-DmFlamenco music, metal riffs
LydianI-II-vii°C-D-Bm7♭5Film scores, The Simpsons theme
MixolydianI-♭VII-IVG-F-C“Sweet Home Alabama”, Celtic music
Aeolian (Natural Minor)i-♭VI-♭VIIAm-F-GRock ballads, “All Along the Watchtower”
Locriani°-♭II-♭VB°-C-FRarely used as tonal center

Advanced Harmonic Techniques

Borrowed Chords (Modal Interchange)

Borrowing chords from the parallel major/minor or other modes:

Borrowed FromCommon Borrowed ChordsIn Key of CEffect
Parallel Minor♭III, ♭VI, ♭VII, ivE♭, A♭, B♭, FmDarker, more dramatic
Parallel MajorI, IV, VC, F, G in C minorBrighter, hopeful
DorianIVF in C minorLess dark minor sound
Phrygian♭IID♭ in C major/minorExotic, tense
Lydian#IVF# in C majorDreamy, floating
Mixolydian♭VIIB♭ in C majorBluesy, rock sound

Modulation Techniques

Changing from one key to another:

Modulation TypeMethodExample
Direct/PhraseChange key at phrase boundaryC → G between verse and chorus
Common ChordUse a chord common to both keysC → Em (using G as V of C and III of Em)
ChromaticMove chromatically to new keyC → C# minor (via C-C#°-C#m)
Circle of FifthsMove through related keysC → G → D → A
ParallelMajor to parallel minor (or vice versa)C major → C minor
Pivot ChordUse a chord with dual functionC → D (using G as V of C and IV of D)
Dominant PreparationUse secondary dominantC → E (via B7)

Common Challenges and Solutions

Challenge: Repetitive Progressions

Solutions:

  • Add a passing chord between two main chords
  • Use inversions to create bass movement
  • Substitute one chord with a related one
  • Borrow a chord from parallel minor/major
  • Add or remove a 7th, 9th, or other extension

Challenge: Weak Transitions Between Sections

Solutions:

  • Use a secondary dominant to lead into the new section
  • Create a “pre-chorus” with increasing tension
  • Use a deceptive cadence to surprise the listener
  • Change the bass note but keep similar harmony
  • Introduce a completely new chord before the section change

Challenge: Uninteresting Harmonies

Solutions:

  • Add suspended chords (sus2, sus4) for color
  • Use add9 or add11 chords for richness
  • Try slash chords for unique bass movements
  • Experiment with modal interchange
  • Use diminished or augmented passing chords

Challenge: Clashing With Melody

Solutions:

  • Adjust melody to emphasize chord tones
  • Change chord extensions to accommodate melody notes
  • Use slash chords to reharmonize under existing melody
  • Consider complete chord substitution
  • Add passing chords to smooth transitions

Best Practices for Songwriters

For Beginners

  • Start with simple progressions (I-IV-V, vi-IV-I-V)
  • Use one progression for verse, another for chorus
  • Learn progressions from songs you enjoy
  • Try playing progressions in different keys
  • Experiment with different rhythmic patterns for the same progression

For Intermediate Songwriters

  • Use secondary dominants to create stronger cadences
  • Experiment with borrowed chords for emotional effect
  • Try modulating to a new key for the bridge
  • Use inversions to create smoother bass lines
  • Add transition chords between sections

For Advanced Songwriters

  • Explore modal interchange for unique color
  • Use tritone substitutions and altered dominants
  • Create deceptive resolutions and unique cadences
  • Experiment with pedal points and ostinatos
  • Try non-functional harmony and constant structure progressions

Chord Progression Quick Templates

Pop/Rock Song Structure

  • Verse: I-V-vi-IV or vi-IV-I-V
  • Pre-Chorus: ii-V or iv-V
  • Chorus: I-V-vi-IV (stronger emphasis on I) or IV-I-V-vi
  • Bridge: vi-ii-V-I or IV-V-iii-vi

Ballad Structure

  • Verse: I-vi-IV-V or I-iii-IV-V
  • Pre-Chorus: ii-iii-IV-V
  • Chorus: I-V-vi-iii-IV-I-IV-V
  • Bridge: vi-V-IV-V or ♭VII-IV-I

EDM Structure

  • Intro/Build: vi-IV or I-V (repeated)
  • Drop: I-V-vi-IV (emphasized)
  • Breakdown: vi-I-V or vi-IV-I
  • Build: V (sustained) or vi-V-IV-V
  • Second Drop: I-V-vi-IV with variations

Resources for Further Learning

Books

  • “Harmony” by Walter Piston
  • “The Songwriter’s Workshop: Harmony” by Jimmy Kachulis
  • “Hooktheory I & II” by Ryan Miyakawa and David Carlton
  • “The Jazz Theory Book” by Mark Levine
  • “Chord Progressions: Theory and Practice” by Roedy Black

Online Resources

  • Hooktheory.com – Interactive chord progression analysis
  • Tonegym.co – Ear training for chord progressions
  • Scales-chords.com – Chord progression generator
  • YouTube: Rick Beato, Adam Neely, Signals Music Studio
  • Ultimate-guitar.com – Song chords and progression analysis

Software Tools

  • Hooktheory Hookpad – Chord progression creation and analysis
  • Scaler 2 – Chord and progression suggestions
  • MuseScore/Sibelius/Finale – Music notation with chord tools
  • Ableton Live/Logic Pro – DAWs with chord progression tools
  • Chord Wheel apps – For visualizing chord relationships

Remember that while understanding chord progressions is essential, the most compelling music often comes from knowing when to follow conventions and when to break them. Use this cheatsheet as a starting point for exploration, not as a rigid set of rules. The best progressions are those that serve your musical expression and resonate with your listeners.

Scroll to Top